The tunes (I think we've got 'em all...)

Caoimhín Ó Raghallaigh - Kitty Lie Over
Una Monaghan - Nana Nora's and The Clean Player

Jason Rouse - The Famous Ballymote / Scotch Mary
Emma Lewis - Dwyer's Jig / O'Sullivan's March / untitled jig
Joanie Madden - The Cat's Meow
Rita Farrell - The Happy Days of Youth and Colonel Rodgers' (often known as McKenna's 1 & 2)
Daithí Gormley - Last Night's Fun
James Keane - tunes to bring his father back for a visit - Tom Ward's Downfall, Farewell to Erin (from the playing of Paddy O'Brien) and Dillon's Fancy

Tara Howley - The Legacy/Paidín Ó Raifeartaigh
Sean Lally - The May Morning Dew / Humours of Ballyloughlin
Cathy Custy - A Jig and the Cliffs of Moher
Hajime Takahashi - Unnamed Tune
Catherine McEvoy - Bánchnoic Éireann Ó

Ciaran Kelly - The Showman's Fancy and The Galway Hornpipe.
Cameron Mather - Fergal O’Gara’s / The Bag of Spuds / The Boys of ‘45
Áine Tyrrell - In This House
Sean Mathews - Welcome to Ballsgrove
Liam Thomas Bailey - The Broken Parts + The Maids of Mitchelstown
Eoghan Ó Ceannabháin - The Deepest Breath

Rita Farrell - The Drunken Gauger / The Humours of Ballingarry / The Girl From the Big House
Tola Custy - Love at the Ending
and
Tola Custy with Ado Barker - The Broken Pledge/The Porthole of the Kelp/Jenny's Welcome to Charlie

Our heartfelt thanks go outto everyone who's supported the podcast over the past year with emails, chats, words of encouragement and suggestions. And to the musicians.

Seriously - without you all, we wouldn't be doing this. All the best from us to you for 2021. Hang in there.

Love

Darren and Dom

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So, for the price of a pint, or a half pint for that matter, you can help keep this show on the road and be safe in the knowledge you have a halo above your head.

For your good deed you will secure your place in traditional Irish music podcast heaven. But most importantly, you’ll have helped pay for the other 99% of listeners that don’t or can’t chip in.

And that, my friend, is a hell-of-a-nice thing to do.

Darren & Dom

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Clare born fiddle player Tola Custy talks about how Irish music nearly died and how his father and others of his generation saved it. About out of tune whistling, the woman who bossed the Tulla Céilí Band and Radical Comhaltas. Growing up in a house divided - Kevin Burke fans on one side, Frankie Gavin fans on the other. He talks about Asturian fiddle playing and Irish fiddle playing; the James Goodman manuscript collection; the Time (Ireland) Act of 1916. He talks about stage fright and feeding off the energy of other musicians, the different beauty of Micho Russell's playing. He talks about the waltz time in his head, and much else besides. 

And he plays the folllowing pieces:

The Lighthouse and The Mermaid (his own tune) into a Swedish jig followed by a Breton jig

So Small The Boat, So Big The Sea (Tola Custy)

Time Zone Laneway (Tola Custy) into The Maple Leaf (a reel composed by Darach De Brun for his wedding in 1976)

The Yellow Wattle, which Tola learned from the playing of Micho Russell, into Metro-Gnome (his own composition)

and finally

Love At The Ending. 

Following the last solo piece, Tola plays a set of tunes with Ado Barker, and they're then joined by Corinn Strating on flute. Recorded at The Last Jar in Melbourne as part of the first of three bush fire relief fundraisers. All proceeds from this episode of The Blarney Pilgrims will go to the same cause. 

You can contribute by going to The Last Jar's facebook page: https://www.facebook.com/The-Last-Jar-393321014068167/

You'll also find details there about the next fundraiser coming up on Saturday 1st February.
  
Thanks to everyone at the pub, and to Joe Ferguson for his help with the sound. 

And Tola, thanks for a stoater of a chat. 

--

And if you liked this episode and think you got some worth from it, then please pledge $2 over at www.patreon.com/blarneypilgrims.

Of course, you don't have to become a patron to listen, but we guarantee you'll enjoy each episode more because you'll be safe in the knowledge that you're a deadset legend.

If you can't afford to pledge on Patreon, and we totally understand if you can't, all is not lost. You can still support the show by sharing it on your socials, posting about it in your favourite forums or simply by telling your mates about it down the pub.

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